Tuesday, November 30, 2010

Morning Has Broken


I remember sitting out on the playground on the last day of Elementary School. Summer vacation was a day away. Next year we would be in Jr. High. They threw us an ice cream social, and I reminisced with my buddy, Todd Johnson. We sat by a puddle, shaded by an oak tree. It had been a rainy year, so the puddle had been there forever -- allowing evolution to begin. Weird things were growing in it, to us they were sea monsters -- and amazing. Across the street was a turkey farm, and being really hot, the place reeked of wet feathers and bird crap. There was the muffled “gobble, gobble” from panting, angry turkeys.

It was the seventies and we dreamed of what the far off 21st century would be like. Had we really known what we were in for, we would have tossed ourselves face first into the muddy puddle and let the monsters eat us.

The other thing I remember from that last year of school was “Morning Has Broken.” I was in choir and it was one of the two songs we sang. The other was “Tie a Yellow Ribbon.” Even then I hated that song, but I loved “Morning Has Broken.” It was magical. Slides of flowers, rain and birds glowed on the screen as we sang it in the dark, sweltering gym. It still gives me chills to hear the song after all these years.

The idea that every morning is as holy and magical as the first morning is something I need to be reminded of. There are days I get in a black mood. I hear this song and think, “I’m alive. And that is a little miracle right there, dummy. Listen to a bird. Look at a flower and know it for what it is: a miracle. Life is a jewel. Enjoy that treasure everyday -- one day it will be gone.”

Not only do the lyrics moved me, but I love the way the piano part ripples like sunlight pouring through a thick canopy of leaves -- giving a speckled effect on the dark ground below. I recently heard Cat Steven’s (now Yusuf Islam) original demo of the old hymn and was struck by how empty if sounded; just Cat singing, accompanied by his guitar. The piano, in the final version of Cat’s hit, really did add something. It was played by “Yes” keyboard player Rick Wakeman. Cat Stevens had promised Rick ten pounds if he played a little something at the beginning middle and end of the song. Wakeman didn’t get credit on the album nor did he get the ten pounds. And, frankly, he’s still pissed.

All that doesn’t matter, it created one of the most beautiful, honestly uplifting songs I have ever heard. The fact that Cat screwed Rick doesn't take away from that. When I hear this song I am transported to a magical first holy morning, a blackbird waking, the first golden light of the sun, dew glistening upon an emerald blade of grass and Rick Wakeman, hunched up in the fetal position, crying like a baby. I glow and smile, knowing the mystery and magic of life. You see, I have always hated “Yes” and every dork in that lame, pretentious group. Yes, God is good. She sees the fall of every sparrow and hears the whining of every idiot.


“Morning Has Broken”
Words: Eleanor Farjeon
Music: traditional Gaelic tune known as "Bunessan"

Morning has broken, like the first morning.
Blackbird has spoken, like the first bird.
Praise for the singing, praise for the morning,
Praise for them springing fresh from the Word.

Sweet the rain's new fall, sunlit from heaven.
Like the first dewfall, on the first grass.
Praise for the sweetness of the wet garden,
Sprung in completeness where His feet pass.

Mine is the sunlight, mine is the morning.
Born of the one light Eden saw play.
Praise with elation, praise every morning;
God's recreation of the new day.

Morning has broken, like the first morning.
Blackbird has spoken, like the first bird.
Praise for the singing, praise for the morning,
Praise for them springing fresh from the Word.

Saturday, November 27, 2010

Monday, November 22, 2010

Happy Thanksgiving!


Land of Nod



The Land Of Nod

by Robert Louis Stevenson


From Breakfast on through all the day
At home among my friends I stay,
But every night I go abroad
Afar into the land of Nod.
All by myself I have to go,
With none to tell me what to do--
All alone beside the streams
And up the mountain-sides of dreams.
The strangest things are there for me,
Both things to eat and things to see,
And many frightening sights abroad
Till morning in the land of Nod.
Try as I like to find the way,
I never can get back by day,
Nor can remember plain and clear
The curious music that I hear.

Another song from Natalie Merchant’s song cycle Leave Your Sleep, this time it is the“Land of Nod” based on a poem by Robert Louis Stevenson..

Leave your Sleep at:
http://www.nataliemerchant.com/


















Thursday, November 18, 2010

17 Ways to Avoid Depression Relapse

My friend Tippy posted something I thought was very important, “17 Ways to Avoid Depression Relapse,” from Health.com by Kristin Koch. (By the way, I just found out that November 20 is National Survivors of Suicide Day.)

1. Staying healthy
Recovering from depression is a long and difficult journey.Unfortunately, 50% of people who have one major episode of depression will relapse, and the likelihood goes up if you’ve had more than one episode, says Eve A. Wood, MD, medical director of the Eating Disorder Center of Denver and author of 10 Steps to Take Charge of Your Emotional Life. Your relapse risk can vary, depending on the severity of your symptoms and family history.The good news is that there are some steps that may help you avoid depression relapse.

2. Don’t take on too much
While staying busy isn’t a problem, doing too much, too soon could be.Feeling overwhelmed creates stress, and stress is a risk factor for depression, says Nancy Irwin, PsyD, author of You-Turn: Changing Direction in Midlife. What’s more, stressful experiences can make the symptoms of anxiety and depression additionally severe.“Thwart stress by creating balance and knowing your limits,” Irwin says. “If you are prone to depression, this is your responsibility—just like brushing your teeth or obeying the speed limits.

For the rest please follow the link.
17 Ways to Avoid Depression Relapse

National Survivors of Suicide Day

Monday, November 15, 2010

Bleezer’s Ice-cream




I will be spotlighting songs from Natalie Merchant’s song cycle Leave Your Sleep. First up “Bleezer’s Ice-cream” based on a poem by Jack Prelutsky. It is yummy.


Get a heaping helping of Leave your Sleep at:








Wednesday, November 10, 2010

Shine Award 2010


The Shine Award 2010: Recognizing this year’s outstanding achievement in creativity. To celebrate a work that reminded us what it is to be human and shows us a new way to see the world.

This year’s winner is Natalie Merchant’s song cycle Leave Your Sleep


It is the holy grail for popular musicians: to cross to the other side of the tracks to work in the classical music field -- to create a timeless work of art that will sit in the bin next to Mozart and Bach. But those are some mean streets and, really, only George Gershwin and Richard Rodgers have any street cred in Wolfgang’s hood. That is until this year. Submitted for your approval: Natalie Merchant’s song cycle Leave Your Sleep

Leave Your Sleep is the most exhilarating CD I have heard in a decade. Natalie has taken poems from around the world celebrating a child’s imagination and set them to her playful, compelling music. They are 26 dreams. 26 worlds of dance, exuberance and charm. The musical styles are so varied from song to song that it reminded me of the Beatle’s White Album or the Clash’s London Calling. That stunning variety of styles, from blues to Irish to country to classical, heighten the sense of magic and adventure for me. Her dark, cello-like voice engages me to play. Luckily, she wisely resists the temptation to use a full orchestra on most songs. These are small, tender moments that need the light of only a few instruments to illuminate them.

My favorite song as a child was “It’s a Small World (After All)” the theme for the Disney ride. At six I wore my parents out by demanding to go through that ride over and over. Scenes of children playing from all over the world past by this child's eyes and that song was the key that transported me. Even to this day it has the magic to do so. As I was lying in bed listening to this double CD, I was six again -- full of the joy that only a child with endless energy and enthusiasm can muster. Some part of my mind never really grew up -- I guess that is why I became an artist. Well, I didn’t choose it, it chose me. Besides, it sounds better than saying, “Me play now.” But it is really the same thing -- my finger-paints are just a little more expensive and my mother’s fringe is now the internet or an exhibit opening.

This isn’t a lullaby CD to toss at the kids to keep them quiet. This is the key to another world: the world of a child’s imagination and endless creativity. There is no dust or pretension in a child's longing. This is the soundtrack to my forgotten dreams -- dreams that filled me with wonder again.

“I willed into being this parade of witches and fearless girls, blind men and elephants, giants and sailors and gypsies, floating churches, dancing bears, circus ponies, a Chinese princess and a janitor’s boy, and so many others. I tried to show her [my daughter] that speech could be the most delightful toy in her possession...” -- Natalie Merchant, January 2010


Discover Leave Your Sleep at:


Wednesday, November 3, 2010